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カクヤマ トモコ
Kakuyama Tomoko 角山 朋子 所属 神奈川大学 国際日本学部 国際文化交流学科 神奈川大学大学院 人文学研究科 欧米言語文化専攻（文学・思想コース） 職種 准教授 |
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| 言語種別 | 英語 |
| 発行・発表の年月 | 2024/03 |
| 形態種別 | 学術雑誌 |
| 査読 | 査読あり |
| 標題 | Attention to the Body in Viennese Kineticism |
| 執筆形態 | 単著 |
| 掲載誌名 | Design and Ideal Truth: The Journal of the Asian Conference of Design History and Theory |
| 掲載区分 | 国外 |
| 出版社・発行元 | The ACDHT 2023 TOKYO Executive Committee |
| 巻・号・頁 | (5),pp.104-112 |
| 著者・共著者 | Tomoko Kakuyama |
| 概要 | Through analysis of Franz Cizek's manuscripts, students' works and the writings of contemporary critics, this study aims to reveal an aspect of Kineticism's activity as an artistic practice focused on the human body, which is commonly associated with avant-garde performance and modern dance. Particular attention will be paid to Erika Giovanna Klien's (1900-1957) unrealised mechanical stage design, The Kinetic Marionette Theatre (1923/26). In conclusion, this study seeks to demonstrate that, from the late 1910s onwards, the themes of machine and body that had been an issue in Futurism, Constructivism and the Bauhaus, permeated the ornamental class of the Vienna School of Arts and Crafts. |
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