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カクヤマ トモコ
Kakuyama Tomoko 角山 朋子 所属 神奈川大学 国際日本学部 国際文化交流学科 神奈川大学大学院 人文学研究科 欧米言語文化専攻（文学・思想コース） 職種 准教授 |
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| 発表年月日 | 2023/09/17 |
| 発表テーマ | Attention to the Body in Viennese Kineticism: Searching for a Relationship between Humans and Objects |
| 発表学会名 | Asian Conference of Design History and Theory |
| 主催者 | The ACDHT 2023 TOKYO Exective Committee |
| 学会区分 | 国際学会 |
| 発表形式 | 口頭（一般） |
| 単独共同区分 | 単独 |
| 国名 | 日本 |
| 開催地名 | Tokyo |
| 開催期間 | 2023/09/16～2023/09/17 |
| 発表者・共同発表者 | Tomoko Kakuyama |
| 概要 | Through the analysis of Franz Cizek's manuscripts, students' works and contemporary critics, this study aims to reveal an aspect of Kineticism's activity as an artistic practice focused on the human body, which is commonly associated with avant-garde performance and modern dance. Particular attention will be paid to Erika Giovanna Klien's unrealised mechanical stage design, The Kinetic Marionette Theatre (1923/24).
In conclusion, this study points out the fact that, from the late 1910s onwards, the themes of machine and body that were problematic in Futurism, Constructivism and the Bauhaus, permeated the ornamental class of the Vienna School of Arts and Crafts. By focusing on the elements of motion and body in their graphic, plastic and stage design works, the study will shed new light on designers' search for a new relationship between humans and objects, and explore an ideal truth of design in post-World War I Vienna. |
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